Visions of jazz giddins gary. Visions Of Jazz The First Century: Gary Giddins: Hardcover: 9780195076752: Powell's Books 2019-03-07

Visions of jazz giddins gary Rating: 7,8/10 1845 reviews

Visions of Jazz

visions of jazz giddins gary

From Louis Armstrong's renegade-style trumpet playing to Sarah Vaughan's operatic crooning, and from the swinging elegance of Duke Ellington to the pioneering experiments of Ornette Coleman, jazz critic Gary Giddins continually astonishes the reader with his unparalleled insight. Giddins has received the , the , and the Bell Atlantic Award for Visions of Jazz: The First Century in 1998. Giddins is one of our best writers, and if the balance he strikes between the measured, thoughtful prose of Martin Williams and the poetic imagery of Whitney Balliet prompts the rereading of a few of his phrases or sentences for sheer pleasure, then the many years he has spent in honor of his love have been well spent. As the embodiment of jazz, he made jazzthe embodiment of the individual. Visions of Jazz is a landmark destined to occupy a permanent niche on the shelf of essential jazz literature. A similar criticism could be brought against any diverse collection of essays, but when they are bannered to represent a single theme, it seems rather misleading. Giddins' passion for jazz, technical knowledge, and broad taste make this and its follow-up Weather Bird the perfect primer for readers interested in not only starting or expanding their jazz collections but being stimulated by enlightening, precise and exquisite writing.

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Gary Giddins

visions of jazz giddins gary

Alternative Newsweeklies : Music Criticism, Second Place, 2004. Writing with the grace and wit that have endeared his prose to Village Voice readers for decades, Giddins also widens the scope of jazz to include such crucial American musicians as Irving Berlin, Rosemary Clooney, and Frank Sinatra, all primarily pop performers who are often dismissed by fans and critics as mere derivatives of the true jazz idiom. Gleason Music Book Award for Visions of Jazz, 1999. From Louis Armstrong's renegade-style trumpet playing to Sarah Vaughan's operatic crooning, and from the swinging elegance of Duke Ellington to the pioneering experiments of Ornette Coleman, jazz critic Gary Giddins continually astonishes the reader with his unparalleled insight. I thought, if you shared my enthusiasm, they perhaps could be linked somehow to your blogspot. Giddins is hard to beat. Deserves a place on the jazz bookshelf alongside the best ofMartin Williams and Francis Davis, and you can't get much better thanthat.

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Visions of Jazz : Gary Giddins : 9780195132410

visions of jazz giddins gary

Readers will look in vain for some key musicians—no Sidney Bechet, Ben Webster, Woody Herman, Albert Ayler here. Poised to become a jazz classic, Gary Giddins' Visions of Jazz: The First Century contains no fewer than 78 chapters illuminating the lives of virtually all major figures in jazz history. From Louis Armstrong's renegade-style trumpet playing to Sarah Vaughan's operatic crooning, and from the swinging elegance of Duke Ellington to the pioneering experiments of Ornette Coleman Poised to become a classic of jazz literature, Visions of Jazz: The First Century offers seventy-nine chapters illuminating the lives of virtually all the major figures in jazz history. He sweeps us along with a felicitous turn of phrase and trenchant wit. The internet rescued me from spending even more. Giddins also maintains a good depth in terms of music theory. Gary Giddins knows his stuff, and tells it with insight and passion.

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Visions of Jazz

visions of jazz giddins gary

What they will find, however, should more than amply reward: a canny celebration of jazz as a hotbed of intransigent individuality, of creation-on-the-fly. Poised to become a jazz classic, Gary Giddins' Visions of Jazz: The First Century contains no fewer than 78 chapters illuminating the lives of virtually all major figures in jazz history. Armstrong and Ellington, because they must, get multiple chapters cast through the books thematic parts Precursors, A New Music, A Popular Music, A Modern Music, A Mainstream Music, An Alternative Music, A Struggling Music, and A Traditional Music. Visions of Jazz is an evocative journey through the first one hundred years of jazz that will captivate—and challenge—musicians, music critics, and music lovers. Bobby Hackett Muzak Man 26. The author in the preface quickly informs the reader that their favorite or current jazz obsession may not be included.

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Visions of Jazz : Gary Giddins : 9780195132410

visions of jazz giddins gary

Giddins is that rare critic Clive James also comes to mind who educates without condescension, whose opinions inspire interest, and whose enthusiasms are infectious. Specifically the recent Roy DuNann piece. Visions of Jazz falters as two challenges come together, the fallow period of jazz when it was overwhelmed by rock and roll music beginning in the mid 60s and sort of lost its way in the 70s and 80s fusion and lite jazz , and the nearer to today we get the more the chapters read like journalism and less like cultural history. Perhaps the mostremarkable chapters in the book are those that do pay tribute to the great jazzsingers. I find myself constantly hoping to be reaffirmed in my convictions when reading about his--which happens often enough to keep me ever curious about what he well say next. Who could ask for anything more? Spike Jones Chasin' the Birdaphone 30. Cassandra Wilson A Different Songbook 79.

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Gary Giddins

visions of jazz giddins gary

And he devotes an entire quarter of this landmark volume to young, still-active jazz artists, boldly expanding the horizons of jazz--and charting and exploring the music's influences as no other book has done. But that's just the point: the music can't be subtracted: it's the defining essence, which sets musicians apart, makes them special and ultimately a little mysterious. Jelly Roll Morton Red Hot Dandy 10. Nat King Cole The Comeback King 44. Giddins' own passion and commitment burn through 'Visions of Jazz's' vibrant, melodious pages like a hot, blue flame. This work will challenge most readers, and intimidate or bore the casual jazz fan.

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Gary Giddins (Author of Visions of Jazz)

visions of jazz giddins gary

The overwhelming strength of the book is that it alsomakes you want to listen afresh to music that you thought you knew well. His style is interesting and passionate — he has seen and talked to many of the musicians so the insights are precious. There were a few artists I expected to see covered that weren't, but given the scope of the text, I'm not completely surprised. I hope Mr Giddins writes a sequel Проверенная покупка: да Состояние товара: Подержанные. Poised to become a classic of jazz literature, Visions of Jazz: The First Century offers seventy-nine chapters illuminating the lives of virtually all the major figures in jazz history. Giddins speaking at an conference in Chicago, 2009. Dexter Gordon Resurgence Part Five: A Mainstream Music 38.

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Visions Of Jazz The First Century: Gary Giddins: Hardcover: 9780195076752: Powell's Books

visions of jazz giddins gary

Giddins breaks up the book into eight parts, including Precursors, A New Music, A Popular Music, A Modern Music, A Mainstream Music, An Alternative Music, A Struggling Music, and A Traditional Music. And a discography would help a lot. His other books include : A Pocketful of Dreams—The Early Years, 1903—1940, which won the Ralph J. Well, for years actually but recently, more obsessed tha n usual. Dinah Washington The Queen 47.

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Gary Giddins (Author of Visions of Jazz)

visions of jazz giddins gary

Gary Giddins openly opts for another path, that of the centrally focused essay. Problem is; nobody's listening to them. Dee Dee Bridgewater Back Home Again 62. He can discuss the differences between classical and popular vocal registers with a precise, dispassionate eye. The author in the preface quickly informs the r A very fine piece of work for the music historian and collector.

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